©2001 The Krigstein Archives Home Early Comics Painting |
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Illustration (1952-1965)
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| Ziff Davis Pulps (1953-54)
In between comic-book work for Atlas, DC, and EC, Krigstein did twelve freelance pen and ink pulp illustrations for Ziff Davis. |
Rusty's Space Ship (1957)
Evelyn Sibley Lampman's charming science-fiction tale for Doubleday was his first illustration assignment after leaving comics in January 1957. |
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| World Over Magazine (1957-60)
Krigstein's first work for World Over from 1957 is loud and vibrant, while the 1960 graphics evoke a mature richness reminiscent of Gustave Doré. |
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| Book Covers (1957-61)
Most of Krigstein's jacket covers were done as simple two or three-color separations, though he would do a full painting if a more upscale printing department was involved. |
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Hi-Fi Jazz (1959) |
LP Album Covers (1959-64)Among Krigstein's high-profile assignments were his LP covers for Columbia/Epic Records. The artist welcomed the challenge to interpret classical music and produced some of his boldest color work. |
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The Life of I.L. Peretz (1959)By his last hardcovers, the experiments with Zip-a-Tone had reached a fevered pitch. In Sylvia Rothschild's biography of the beloved Jewish poet and writer, he uses the device to evoke psychological states and urban conditions. |
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| Buffalo Soldiers (1959)
For each assignment Krigstein usually submitted a group of roughs to the art director, who gave the go-ahead to the composition he felt was most effective. These are the roughs for John Prebble's The Buffalo Soldiers. |
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| Glacier Gold (1959)
Rejections, a part of any illustrator's life, were a major reason why Krigstein did not stay in the field. After this publisher passed on these roughs for Tom Clarke's Glacier Gold, he never went back there again. |
Endpapers (1957-60)
A unique characteristic of the four Covenant hardcovers were these distinctive endpapers. |
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| Joyce Cary Novels (1958-64)
Always eager to express classic literature, Krigstein was given a rare opportunity with these six Joyce Cary novels for Grosset and Dunlap. |
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| Eo of the Caves (1959)
Krigstein continued experimenting with Zip-A-Tone in this prehistoric tale written by Florence Wightman Rowland. |
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| Buccaneers (1960)
Buccaneers and Pirates of Our Coasts by Frank R. Stockton was Krigstein's most ambitious commercial project. Along with Fables, it marks his high point as a book illustrator.
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| Fables (1960)
One of Krigstein's favorite assignments, Various Fables from Various Places gave free reign to his humorous and expressive gifts.
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| The Death of Jesus (1961)
These concept roughs for Joel Carmichels's account of the final hours of Jesus were rejected by Macmillan. |
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| Hawaii (1961)
Krigstein did eighteen roughs for this story for Reporter Magazine. Though one idea was accepted ("Mythic Warrier"), his 18 x 24 inch finished watercolor was rejected, on the grounds that Krigstein's colors would be too hard to reproduce. "It was the frightened reaction of an editor who doesn't know the resourses at his own disposal." |
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Boy's Life Magazine (1959-65)Krigstein approached Boy's Life's cheap two-color process with ingenuity and diversity. The magazine finally upgraded to four-color with "The Bear Hunt," Krigstein's last commercial illustration. |
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| His Father's Wife (1964)
By 1964 the full-time teacher accepted only a few commercial jobs during the summer months, preferring to work on his painting. One of his final assignments, "His Father's Wife," appeared in the Feb. 1966 issue of The Saturday Evening Post. |
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| Boy's Life Roughs (1959-65)
Krigstein's roughs for Boy's Life were done in vivid pastel, though the finishes were usually painted in casein tonal grays with a spot color. |
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©2001 The Krigstein Archives Home Early Comics Illustration Painting |
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